Wednesday, October 26, 2011

Where Do We Go From Here? Occupy Wall St.

Where Do We Go From Here? Occupy Wall St. from Ed David on Vimeo.


DC Douglas' "Why #OccupyWallStreet? 4 Reasons."

READ: http://tinyurl.com/why-ows
WATCH: http://www.DCDouglas.com
LEARN MORE: http://occupywallst.org/
Actor, voice over talent and non-political figure D.C. Douglas chimes in with his take on OWS - Occupy Wall Street.

Google: US law enforcement tried to get videos removed from YouTube
The technology giant's biannual transparency report reveals a 70% rise in takedown requests from US government or police

Neuroscience and Justice - Edge Master Class 2011 - Michael Gazzaniga [7.16.11]
Asking the fundamental question of modern life. In an enlightened world of scientific understandings of first causes, we must ask: are we free, morally responsible agents or are we just along for the ride?

Albany & NY State Police Defy Governor, Mayor; Refuse to Arrest OWS Demonstrators
Occupy Albany protesters in New York’s capital city received an unexpected ally over the week: The state and local authorities.

Syntagma, 20th of October


Semper Fi: Occupy Marines Bringing Reinforcements To Occupy The Nation
#OrganizeMarines states: “Security forces/police should be seen as potential recruits to our cause and message, not as adversaries. Ultimately, they are accountable to the people. Defensive strategies never win. Do not respond to verbal attacks or hostile propaganda from Nay-Sayers by using the language of the opponent. Reframe.”

Tear gas! Thrown at Occupy Oakland!


Veteran shot in the face by rubber bullet at Occupy Oakland protests

Veterans for Peace member Scott Olsen was wounded by a less-lethal round fired by either San Francisco Sheriffs deputies or Palo Alto Police on October 25, 2011 at 14th Street and Broadway in Downtown Oakland
http://www.occupyoakland.org/


Chemical bomb thrown at Occupy Portland - #OccupyMaine

A video of Occupy Maine made on 10-23-11 at Lincoln Park in Portland, Maine. A chemical bomb had been thrown over the fence early that morning and discussions were going on about moving the main tent further back from the perimeter of the park

Anarchists welcome Westminster’s new ‘protester lanes’ - London protester lanes introduced
Anarchists across Britain’s capital have welcomed the introduction of new ‘protester lanes’ which fit neatly between existing bus lanes and the marginalised, implemented to cope with a huge increase in protest marches.

Reintroduction of Death Penalty Possible Due to Lisbon Treaty
Europe’s citizens demand wide discussion

Top Ten Occupy Wall Street Cartoons

America the Baffled: One in Four Americans Doesn't Know The Country From Which We Broke Free

EU Politician Wants Internet Surveillance Built Into Every Operating System
from the they-just-haven't-thought-this-through dept
The two European politicians behind the Declaration, which seeks to extend the already intrusive Data Retention Directive, were Tiziano Motti and Anna Zaborska. Motti now wants to go even further by monitoring and storing all Internet activity in the European Union.

Ridiculed crystal work wins Nobel for Israeli
Three decades after Daniel Shechtman looked with an electron microscope at a metal alloy and saw a pattern familiar in Islamic art but then unknown at a molecular level, those non-stick, rust-free, heat-resistant quasicrystals are finding their way into tools from LEDs to engines and frying pans.

Bolivia: Coca-chewing protest outside US embassy
Indigenous activists in Bolivia have been holding a mass coca-chewing protest as part of campaign to end an international ban on the practice.

Part I: Motives for Mind Control
This essay is the first in a series of three on mind control. It discusses some of the motives for mind control and why it continues. Part II of the series, "Resisting the Mind Control State” describes some methods to protest and resist mind control abuses and atrocities. Part III, "Mental Firewalls" discusses some of the techniques victims have developed to survive the ongoing torture operations.

Living Murals

Living Murals from Noora Ojala on Vimeo.


Living Murals -animation is MA graduation work from Noora Ojala, University of Art and Design Helsinki 2008.
Do it to yourself. Arts in the street bewilder, esthetically perfect, clumsy, childish, agitprop, trendy, classic, sabotage and everything that I cannot imagine. Brasil, nowadays graffiti leader in the world, offers most unique and colorful works on its bleeding streets. Animation is constructed from street art what describes the brutality and dreams of the life. It has the full tones of everything what stand between those two, and in the background stays the huge jungle of metropolises, these cities what has grown wildly in last decades and the flood of poor people moving in to the city still seems endless. This story is made under the Brazilian sun, in its shadows and feverish tempo of life. Music is made by carioca MV Bill. A highly respected member of his community and media figure, MV Bill is the symbol of political speech that makes a musical chronicle of the war on the Brazilian favelas, the initial step of an urgent discussion about violence, prejudice, and citizenship.

~ Reminder: Protest action against debt 'haircut' to commence in Syntagma Square at 7pm local time today ~

The War You Don't See - John Pilger


John Pilger investigates the media's role in war. He traces the history of 'embedded' and independent reporting from the carnage of WWI to the current wars in Afghanistan and Iraq.

Raoul Vaneigem: The decline and fall of work


The duty to produce alienates the passion for creation. Productive labour is part and parcel of the technology of law and order. The working day grows shorter as the empire of conditioning extends.

In an industrial society which confuses work and productivity, the necessity of producing has always been an enemy of the desire to create. What spark of humanity, of a possible creativity, can remain alive in a being dragged out of sleep at six every morning, jolted about in suburban trains, deafened by the racket of machinery, bleached and steamed by meaningless sounds and gestures, spun dry by statistical controls, and tossed out at the end of the day into the entrance halls of railway stations, those cathedrals of departure for the hell of weekdays and the nugatory paradise of weekends, where the crowd communes in weariness and boredom? From adolescence to retirement each 24-hour cycle repeats the same shattering bombardment, like bullets hitting a window: mechanical repetition, time-which-is-money, submission to bosses, boredom, exhaustion. From the butchering of youth's energy to the gaping wound of old age, life cracks in every direction under the blows of forced labour. Never before has a civilization reached such a degree of contempt for life; never before has a generation, drowned in mortification, felt such a rage to live. The same people who are murdered slowly in the mechanized slaughterhouses of work are also arguing, singing, drinking, dancing, making love, holding the streets, picking up weapons and inventing a new poetry. Already the front against forced labour is being formed; its gestures of refusal are moulding the consciousness of the future. Every call for productivity in the conditions chosen by capitalist and Soviet economy is a call to slavery.

The necessity of production is so easily proved that any hack philosopher of industrialism can fill ten books with it. Unfortunately for these neo-economist thinkers, these proofs belong to the nineteenth century, a time when the misery of the working classes made the right to work the counterpart of the right to be a slave, claimed at the dawn of time by prisoners about to be massacred. Above all it was a question of surviving, of not disappearing physically. The imperatives of production are the imperatives of survival; from now on, people want to live, not just to survive.

Humor as a weapon of mass resistance

Humor As Weapon, Shield and Psychological Salve
By Nichole Force

Humor As Weapon, Shield and Psychological SalveHumor has long been recognized as more than mere fun and games. It presents an alternative means of expressing criticism about injustices, arrogance, pretentions or hypocrisies that can’t socially (or legally) be expressed otherwise.

Court jesters could say things to the royals “in jest” that others would have been beheaded for uttering. When King James I of England had trouble fattening up his horses, court jester Archibald Armstrong reportedly suggested that His Majesty make the horses bishops and they would fatten in no time.

[...]

An example of gallows humor can be seen in the Soviet-era joke in which two Russians debate who is greater, Joseph Stalin or Herbert Hoover. “Hoover taught the Americans not to drink,” says one. “Yes, but Stalin taught the Russians not to eat,” replies the other. Placing a comical spin on dire circumstances that are outside one’s control was an effective coping mechanism long before the Germans named the phenomenon, and continues to serve the oppressed, victimized and suffering today.

Gallows humor often is viewed as an expression of resilience and hope that has the power to soothe suffering. When the minority has few tools to combat an oppressive majority, gallows humor can be used as a sort of secret, subversive weapon. The danger that ridicule poses to those in power is captured by the Italian phrase Una risata vi seppellirà, which translates to “It will be a laugh that buries you.”

The fear of the weapon of humor was alive and well in Nazi Germany, and it was dangerous business. The legal code of the time reflected Joseph Goebbels’ interpretation of the political joke as “a remnant of liberalism” that threatened the Nazi state. Not only was joke-telling made illegal, but those who told jokes were labeled “asocial” – a segment of society frequently sent to concentration camps. Hitler’s second-in-command, Hermann Goering, referred to anti-Nazi humor as “an act against the will of the Fuehrer… and against the State and the Nazi Government,” and the crime was punishable by death. Article III, section 2 of the 1941 code (the Reichsgesetzblatt I) stated: “In cases where it is not specifically provided for, the death penalty will be imposed whenever the crime reveals an unusually low mentality or is especially serious for other reasons; in such cases the death penalty may also be imposed against juvenile criminals.” Since Nazi informants could be within earshot at any given moment, it was important to hold one’s tongue and suppress any witty desires. A Nazi prosecutor revealed that he determined the severity of punishment for a joke based on the following theory: “The better the joke, the more dangerous its effect, therefore, the greater punishment.”

~ more... ~

Tactics That Tickle: Laughing All the Way to the Win
“Because, after all, isn't laughing the best way to show teeth that bite?” – Philippe Duhamel

Ridiculing Politicians Is Always Good. Especially The Ones In Government
R.F. Wilson writes: Let’s face it, very few people have a high opinion of politicians. They view them as unreliable, deceiving, pompous and self-centred and believe that the vast mjority of them aren’t capable of doing anything. And it’s not a secret that most folks are of the opinion that the ‘servants of the people’ should be under constant watch by the public and the media and that they should be ridiculed by comedians the moment they sweep in to power.

Ridicule: An instrument in the war on terrorism - Public Diplomacy White Paper No. 7
Ridicule is an under-appreciated weapon not only against terrorists, but against weapons proliferators, despots, and international undesirables in general.

Laughter as a weapon
Jokes have power – but too often those who wield it, abuse it

QuotationsBook.com
"Laughter is the greatest weapon we have and we, as humans, use it the least." ~ Twain, Mark

Arab comics find laughter the best weapon in war on prejudice
The comedian Maysoon Zayid introduces her act by declaring she is a Palestinian Muslim virgin with cerebral palsy, adding: "I just want you guys to know I am a virgin by choice … and that is my father's choice.
"My father has spent the majority of my life terrified that I will accidentally lose my virginity so there's a list of activities I am not allowed to do: there is to be no horseback riding, not even on a carousel."

About The Army
Roll up, roll up - ladies and gentlemen, boys and girls, friends and foes - welcome to the unparalleled, the unexpected, the perfectly paradoxical, the grotesquely beautiful, the new-fangled world of the Clandestine Insurgent Rebel Clown Army (CIRCA).

On the Death of a Politician - (2009) - Hilaire Belloc
Here richly, with ridiculous display,
The Politician's corpse was laid away.
While all of his acquaintance sneered and slanged
I wept : for I had longed to see him hanged.

Monday, October 24, 2011

Chris Hedges - "Nonviolent Citizen Resistance to War and Global Climate Change"

Film by Eugene Taylor and Abraham Krikorian (Conscience Films - non-profit) of Chris Hedges' talk at Hofstra University on October 3, 2011 - International Day of Non-Violence. Sponsored by Hofstra University's Departments of Economics, History and Sociology and The Center for Civic Engagement and the Long Island Alliance for Peaceful Alternatives.Total running time 1 hr 11 min.

...I've been following indications for awhile that democracy as practiced in the post-industrial world is increasingly under threat; in February of this year, I wrote a piece ("Fear of Teratocracy") that explored the increasing attacks not just on the policies of leaders, but the on very legitimacy of leaders. In this world, it's not enough to say that your opponent is wrong, you have to say that your opponent simply has no right to lead. As democracy depends on the losers stepping aside gracefully as much as the winners ruling fairly, I tried to be clear in saying that attacks on the legitimacy of opponents were implicit attacks on democracy itself...

David Suzuki speaks at Occupy Vancouver with Details to substantiate the atrocities subjected by the 99% by the 1%.

The Occupy Wall Street movement - the story has moved on, but can the media keep up?

In one of the few interviews that Marshall McLuhan granted before his death in 1980, he talks to TVO host Mike McManus about modern regionalism and separatism, nostalgia, violence and identity, television as an addictive tranquillizer, propaganda and his reasons for becoming a Roman Catholic.

Reports from the Bibliographic Bunker

Mass protest against Vietnam war in Washington DC, on mall, across Potomac river to Pentagon, MPs with bayonets emerge from Pentagon, tear gas used, next day camp fires burn on the 2nd day of sitting-in

Tribute to Loukanikos aka Riot Dog, whose name derives from λουκάνικο (loukaniko - Greek for sausage), a dog that has been present at nearly every protest in downtown Athens in the past few years. The stray has become the symbol of the Greek protests against the IMF and the EU backed austerity measures that are taking place in 2011

A revolution is coming to America.. Not Just America but the World, people are waking up and finally realising how the world works and that their rights as free human beings are slowly being taken away from them.. The 99% are rising up!

Theres now a platform to speak out every saturday , We are the 99 percent, hear the people not the money.!


WE ARE REVOLUTION! Worldwide Uprising!
People are rising up all over the globe... its a Worldwide Revolution!!!!

He was an acolyte of Aleister Crowley, an employee of Howard Hughes, a victim of L. Ron Hubbard, and an enthusiastic phone buddy to Wernher Von Braun.
"...In one of the most celebrated feats in magickal history, Parsons and pre-Dianetics L. Ron Hubbard…performed The Babalon Working, a daring attempt to shatter the boundaries of time and space and intended to bring about, in Parsons own words, “love, understanding, and Dionysian freedom…the necessary counterbalance or correspondence to the manifestation of Horus”…Babalon, a Thelemic counterpart of Kali or Isis, was described by Parsons as “black, murderous and horrible, but Her hand is uplifted in blessing and reassurance: the reconciliation of opposites, the apotheosis of the impossible.” The impossible was precisely what Jack Parsons, the scientific sorcerer, had in mind.” (Richard Metzger)
Simultaneous with his more material scientific pursuits, he also tried with painstaking ritual — but apparently failed — to create a “Moon Child,” a magic being conjured via mystic ritual who would usher in a new age of unfettered liberty and signal the end of the Christian era and its outmoded morality. (Reason)..."

"Eurydice in a Used Car Lot. Margaret Travis paused in the empty foyer of the cinema, looking at the photographs in the display frames. In the dim light beyond the curtains she saw the dark-suited figure of Captain Webster, the muffled velvet veiling his handsome eyes. The last few weeks had been a nightmare - Webster with his long-range camera and obscene questions. He seemed to take a certain sardonic pleasure in compiling this one-man Kinsey Report on her . . . positions, planes, where and when Travis placed his hands on her body - why didn’t he ask Catherine Austin? As for wanting to magnify the photographs and paste them up on enormous billboards, ostensibly to save her from Travis . . . She glanced at the stills in the display frames, of this elegant and poetic film in which Cocteau had brought together all the myths of his own journey of return. On an impulse, to annoy Webster, she stepped through the side exit and walked past a small yard of cars with numbered windshields. Perhaps she would make her descent here. Eurydice in a used car lot?"
J.G. Ballard, Chapter One: 'The Atrocity Exhibition', The Atrocity Exhibition (1970).
An excerpt from Outpost 13's adaptation of JG Ballard's The Atrocity Exhibition. Uploaded with permission from the filmmakers. More information at ballardian.com/​outpost-13-atrocity-exhibition.
Presenting ‘Outpost 13: The Atrocity Exhibition’, a video directed by Mark C and produced by Outpost 13: Stuart Argabright, Mark C and Kent Heine. The full 35-minute film is based on J.G. Ballard’s The Atrocity Exhibition, and is part of a performance piece that debuted in Porto, Portugal at the Serralves Museum of Contemporary Art, with o13 performing the soundtrack live.
Narration from Ballard’s text by David Silver with Jen Jaffe and Esther Ahn. Images by Robert Longo, Adrienne Altenhaus and others.
Outpost 13:
Mark C: guitar, synthesizers, vocals
Stuart Argabright: synthesizers, laptop, vocals
Kent Heine: bass
"The Concentration City. In the night air they passed the shells of concrete towers, blockhouses half buried in rubble, giant conduits filled with tyres, overhead causeways crossing broken roads. Travis followed the bomber pilot and the young woman along the faded gravel. They walked across the foundation of a guard-house into the weapons range. The concrete aisles stretched into the darkness across the airfield. In the suburbs of Hell Travis walked in the flaring light of the petrochemical plants. The ruins of abandoned cinemas stood at the street corners, faded billboards facing them across the empty streets. In a waste lot of wrecked cars he found the burnt body of the white Pontiac. He wandered through the deserted suburbs. The crashed bombers lay under the trees, grass growing through their wings. The bomber pilot helped the young woman into one of the cockpits. Travis began to mark out a circle on the concrete target area."
J.G. Ballard, Chapter One: 'The Atrocity Exhibition', The Atrocity Exhibition (1970).

On Oct. 18th, 2011 the Massachusetts Supreme Judicial Court handed down their decision in the Francis J. Bevilacqua, III vs. Pablo Rodriguez – and in a moment, essentially made foreclosure sales in the commonwealth over the last five years wholly void. However, some of the more polite headlines, undoubtedly in the interest of not causing wide spread panic simply put it “SJC puts foreclosure sales in doubt” or “Buyer Can’t Sue After Bad Foreclosure Sale“
In essence, the ruling upheld that those who had purchased foreclosure properties that had been illegally foreclosed upon (which is virtually all foreclosure sales in the last five years), did not in fact have title to those properties.

Exiled journalist describes the threats and intimidation directed against the local press.


The Revolution Has Already Begun, but you stayed home brother
You are not watching it on tv, because you do not know what channel it is on
You are watching nascar, and vampires and crime procedurals
You are watching snookie and suze orman and bloomberg
You would rather be voting on American idol and x factor.

The revolution is televised, but you are not watching

The revolution is taking place right now, brother.
It is happening in the streets of Greece,
Where the World Bank and the European Central Bank
Are demanding as "some sensible austerity measures"
A more radical deconstruction of a socialist government
Than Ron Paul and the Tea Party could ever hope for.

The revolution is televised, but you are not watching

The revolution is brought to you by Adbusters from Canada
Who printed some high-art posters for a publicity stunt
With a dancer on the brass bull, called Occupy Wallstreet,
But then the Canadians were surprised when the
Real revolutionaries showed up and wanted to actually protest.
The revolution is not a publicity stunt for anyone.

The revolution is not going to have Walter Cronkite or Tom Brokaw
as the commentator, telling you what it means to you.
It took to long to come, Walter is Dead, and Tom is Retired.

The revolution is televised, but you are not watching

Anderson Cooper doesn't know what it means.
Glen Beck doesn't know what it means.
MSNBC and Fox and CNN will ask the man in the street
Because that's the best they can do, and they will still not understand.
You will be more likely to get an explanation of the revolution
From John Stewart or even Joel McHale, if you are even watching.

The revolution will take place in locations you cannot locate on a map.
It is taking place in the Wisconsin statehouse, and in Tunisia.
It is taking place in Egypt, in Libya, and Zuccotti Park.
It is taking place in Iceland and Ireland, and the Security Council.
There will not common theme and coherent plot line.
There will not be a explanation of the mysteries at the end of each episode. There will not be a big reveal at the end of the season.

The revolution is televised, but you are not watching

The revolutionaries are calling for the dismantling of government
The revolutionaries are calling for the dismantling of globalization
The revolutionaries watched too damn much sesame street, and are calling for the dismantling of everything that begins with the letter "G."

The revolutionaries want us to return to an 18th century ideal that has
Been re-discovered in histories written by a wealthy dead white 1%.
Because in the 18th century, the 99% were illiterate and actually worse off
than they are now, but the revolutionaries do not remember that.

The revolution is televised, but you are not watching

The revolution will not be islamist, or capitalist, or socialist, or progressive,
or any kind of "ist" or "ism" except perhaps for anarchist.
The revolution is opposed to everything the revolutionaries hold dear.
The revolution is against government regulation.
The revolution is against cheap global credit.
The revolution is against taxation of any kind.
The revolution is against cheap globally produced goods.
The revolution is against government services
The revolution is against corporations

The revolution is televised, is televised, IS TELEVISED,
But you are not watching


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image from http://www.spitting-image.net

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