The Air Force versus Hollywood

To refute early 1960s novels and Hollywood films like Fail-Safe and Dr. Strangelove which raised questions about U.S. control over nuclear weapons, the Air Force produced a documentary film--"SAC [Strategic Air Command] Command Post"--to demonstrate its  responsiveness to presidential command and its tight control over nuclear weapons.

During the crisis years of the early 1960s, when U.S.-Soviet relations were especially tense, novels and motion pictures raised questions about the Air Force's control over nuclear weapons and the dangers of an accidentally or deliberately-triggered nuclear war. Foremost were Eugene Burdick and Harvey Wheeler's novel Fail-Safe (1962) (later turned into a motion picture) about an accidental war and the film Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb, a brilliant satire about a nuclear conflict deliberately sparked by a psychotic Air Force general. Both Dr. Strangelove and Fail-Safe may have created enough worries in the Air Force about its image to lead the service to produce a film--"SAC [Strategic Air Command] Command Post"--designed to confirm presidential control over the "expenditure" of nuclear weapons and the difficulty of initiating an 'unauthorized launch" of nuclear bombers.

Never used publicly by the Air Force for reasons that remain puzzling, "SAC Command Post" is premiered online today on the National Security Archive Web site. Produced during 1963-1964, this unclassified film tried to undercut Dr. Strangelove's image of a psychotic general ordering nuclear strikes against the Soviet Union by showing that nuclear war could not be "triggered by unauthorized launch." To reinforce an image of responsible control, "SAC Command Post" presents a detailed picture of the communications systems that the Strategic Air Command used to centralize direction of bomber bases and missile silos. With the film's emphasis on SAC's readiness for nuclear war, higher authorities may have finally decided that it was off-message in light of the Johnson administration's search for stable relations with Moscow.

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Haitian earthquake: Made in the USA

Earthquakes are random events. How many people they kill is predetermined. In Haiti this week, don't blame tectonic plates. Ninety-nine percent of the death toll is attributable to poverty.

So the question is relevant. How'd Haiti become so poor?

The story begins in 1910, when a U.S. State Department-National City Bank of New York (now called Citibank) consortium bought the Banque National d'Haïti--Haiti's only commercial bank and its national treasury--in effect transferring Haiti's debts to the Americans. Five years later, President Woodrow Wilson ordered troops to occupy the country in order to keep tabs on "our" investment.

From 1915 to 1934, the U.S. Marines imposed harsh military occupation, murdered Haitians patriots and diverted 40 percent of Haiti's gross domestic product to U.S. bankers. Haitians were banned from government jobs. Ambitious Haitians were shunted into the puppet military, setting the stage for a half-century of U.S.-backed military dictatorship.

The U.S. kept control of Haiti's finances until 1947.

Still--why should Haitians complain? Sure, we stole 40 percent of Haiti's national wealth for 32 years. But we let them keep 60 percent.

Whiners.

Despite having been bled dry by American bankers and generals, civil disorder prevailed until 1957, when the CIA installed President-for-Life François "Papa Doc" Duvalier. Duvalier's brutal Tonton Macoutes paramilitary goon squads murdered at least 30,000 Haitians and drove educated people to flee into exile. But think of the cup as half-full: fewer people in the population means fewer people competing for the same jobs!

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