From The Paris Review:
INTERVIEWER
What connection is there between Ken Kesey the magician-prankster and Ken Kesey the writer?
KESEY
The common denominator is the joker. It’s the symbol of the prankster. Tarot scholars say that if it weren’t for the fool, the rest of the cards would not exist. The rest of the cards exist for the benefit of the fool. The fool in tarot is this naive innocent spirit with a rucksack over his shoulder like Kerouac, his eyes up into the sky like Yeats, and his dog biting his rump as he steps over the cliff. We found one once at a big military march in Santa Cruz. Thousands of soldiers marching by. All it took was one fool on the street corner pointing and laughing, and the soldiers began to be uncomfortable, self-conscious. That fool of Shakespeare’s, the actor Robert Armin, became so popular that finally Shakespeare wrote him out of Henry IV. In a book called A Nest of Ninnies, Armin wrote about the difference between a fool artificial and a fool natural. And the way Armin defines the two is important; the character Jack Oates is a true fool natural. He never stops being a fool to save himself; he never tries to do anything but anger his master, Sir William. A fool artificial is always trying to please; he’s a lackey. Ronald McDonald is a fool artificial. Hunter Thompson is a fool natural. So was the Little Tramp. Neal Cassady was a fool natural, the best one we knew.
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