By Chris Robé, PopMatters
     
     "Revolutionary movements do not spread by contamination but by     resonance. Something that is constituted here resonates with the     shock wave emitted by something constituted over there… It takes the     shape of a music, whose focal points, though dispersed in time and     space, succeed in imposing the rhythm of their own vibrations,     always taking on more density" 
     —The Invisible Committee, The Coming Insurection
     
     As November 2009 neared and the global recession continued to     eviscerate the infrastructures of the nation-state and local     government, as hundreds of thousands of recently fired workers     battled for a decreasing number of low-paid, disposable     service-industry jobs to simply keep food on their tables, as their     homes depreciated in value while their mortgages bloomed into     nightmares, as thousands of low-income students were increasingly     squeezed out of colleges by inflated tuition-hikes that     administrators disingenuously deemed as necessary austerity     measures, various global justice activists assessed the inheritances     left in the wake of the famed Battle of Seattle during its tenth     anniversary.
     
     One cannot understate the radicalizing impact that the Seattle World     Trade Organization (WTO) protests in 1999 had upon Generation Xers     worldwide. Although Seattle had many political precedents and     influences such as the anti-colonial struggles of the '60s in     Vietnam, Algeria, Senegal, Chile, and Cuba, the feminist movements,     the anti-nuclear crusades, queer activism, and, more recently, the     1994 armed insurrection of the Zapatistas in Chiapas, the 1996     Landless Campesino Movement in Brazil, the 1998 Peoples' Global     Action Against Free Trade and the WTO in Geneva, and the June 1999     Global Carnival Against Capital in London, to name only a few,     Seattle converged in an explosive way. Over 50,000 people descended     upon the city, catching both police and activists off-guard.     Traditional sectarian lines were drastically being dissolved,     emblemized in the placards that read, "Teamsters and Turtles:     Together at Last!" Traditional permitted marches intersected with     black bloc property destruction of Starbucks and Nike Town, causing     WTO delegates to finally cease their meetings and flee from a city     smoldering under pepper spray and tear gas as Marshal Law locked     into effect. As one protestor was to reflect later, "Seattle 1999     was our May 1968."
     
     Seattle politicized previously depoliticized locals and on-line     viewers with its flood of police repression and brazen governmental     arrogance that Westerners were perhaps used to and comfortable with     descending upon the Third World, but not in their own backyard. Yet,     more importantly, it galvanized the already politicized by revealing     how the center could no longer hold, how the circuits of     neoliberalism could be shorted at ground zero in a silicon city that     pulsed with the free-trade platitudes and dot.com delusions of the     Empire.
       
     Only months before Seattle, Naomi Klein released No Logo, which     boldly charted the international terrain of globalization and its     discontents: the glut of anti-union temp. work in the First World;     the imposition of Free Trade Zones within the Third World where     multinationals are given free-reign to exploit Third World,     predominantly female, labor; the intrusion of marketing into our     education system, treating children as potential consumers rather     than as students; and the charring of an entire way of life into     easily identifiable corporate brands. The book distilled the diverse     strands of the global Left into a powerful critique of neoliberalism     that activists could incorporate into their protests. Yet the book's     final section on resistance that charts culture jamming, reclaim the     streets campaigns, and the student anti-sweatshop movements remained     unconvincing. How could these various, unrelated strains of civil     disobedience possibly block the flows of global capital in a     significant fashion? No Logo's answers possessed the stale whiff of     empty Leftist genuflection towards change after having documented     the seemingly inexorable momentum of late capitalism towards     planetary destruction. That is until Seattle happened.
     
     Also within the crucible of the Seattle WTO protests Indymedia was     founded— a consensus-based, non-hierarchical, digitally-networked,     technologically-savvy collective of activist videographers,     journalists, photographers, artists, producers, and web-designers.     Similar to the protests themselves, Indymedia had a long lineage of     influences from the Third Cinema movements of the '60s, the video     activist groups of the '70s, the cable access movement of the '70s     and '80s, UNESCO's McBride Commission, Downtown Community     Television, Paper Tiger and Deep Dish TV, and the Zapatistas.
     
     More immediately, a group called Counter Media established a website     during the 1996 Democratic National Convention to broadcast the     protests and teach-ins occurring outside the convention, though due     to technical problems the site kept crashing. This was the first     attempt at establishing a website to distribute radical,     on-the-scene protest footage. Furthermore, the Grassroots Media     Alliance Conference in Austin, Texas in 1999 provided a forum where     established media groups like Whispered Media, Big Noise Film, Deep     Dish, and Free Speech TV could discuss with independent activist     media-makers plans about providing alternative media coverage during     Seattle.
     
     Even with this preparation, Indymedia almost did not happen. By     early November, the collective could only raise $1,500 of the     $40,000 needed to run a website, upload satellite footage, power     electricity, and maintain a media space. Luckily, during the final     weeks leading up to the protests, Indymedia received a $10,000     anonymous check as well as a $10,000 donation from the Tides     Foundation. Deep Dish TV had also been busily raising money on its     own for satellite access. Additionally, Gabrielle Kuiper, an     Australian Ph.D. student, had just developed an open-source software     code on which Indymedia could establish its own web-platform to     directly upload video footage, news reports, and photographs.     Finally, Seattle, the hub of the tech. sector, provided more than     ample amounts of free technical labor to upkeep the website during     the protests.
     
     Indymedia's presence upon the scene proved inspirational. Not only     was it broadcasting in-depth stories regarding the protests that the     major networks arrogantly ignored, but it also revealed the raw     power of a D.I.Y. ethic of upstart amateurs seizing back control of     a medium that had once seemed to be beyond their grasps. Similar to     punk's seizure of arena rock, and hip hop's sampling of black     R&B songs that were copyrighted by white producers, Indymedia     hijacked cheap video technology and the open-source knowledge of the     tech. sector to challenge commercial media's façade of "objectivity"     with its own visions of global justice. Anyone could upload his/her     video, photographs, or stories to the website. The Seattle Media     Center produced 2000 copies daily of its own newspaper, The Blind     Spot, as well as provided on-line pdfs so that activists in the     other 82 cities also protesting the WTO could distribute it. Seattle     illuminated how new media technologies could be re-inflected against     the very vectors of global capital that made them possible. By March     2003, Indymedia had grown into a global phenomenon with over 110     international Media Centers—though most still primarily centered in     North America and Europe. Its insistence that everyday folk "be the     media" proved prophetic.
     
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