By Jori Finkel, Los Angeles Times
Street art is fugitive by nature — and vulnerable to being destroyed by angry shopkeepers who just don't appreciate the creativity. But in the strange case of a massive antiwar mural that made a brief appearance downtown last week, it was the Museum of Contemporary Art that both commissioned and removed the work.
The mural, by the Italian street artist known as Blu, had a strong antiwar and anti-capitalist bent. It featured a field of military-style coffins draped by large dollar bills instead of flags.
The museum originally commissioned the piece for the north wall of the Geffen Contemporary as part of its "Art in the Streets" exhibition, set to open in April. Last week, upon the mural's completion, the museum had a crew whitewash it.
Several art bloggers denounced the museum's act as censorship, comparing it to the recent removal of David Wojnarowicz's "A Fire in My Belly" video from the National Portrait Gallery in Washington, D.C.
Daniel Lahoda, founder of LA Freewalls Project downtown and one of the few people to photograph the work as it was being removed, said that the street art community is "really upset by this — everyone is talking about it."
"If you're planning on mounting the largest graffiti show in a major institution, you've got to give the artists the freedom to do the movement justice — so there's a big failure in what just happened," he says. "The last thing we want is an art institution, someone supposed to support creativity, to destroy it."
MOCA's official statement on the issue explains that the mural was removed because it was "inappropriate."
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