...How to Stop Living and Start Worrying begins with a biographical sketch of Simon Critchley's early life and career. He relates his fascination with the radicalism of the 1970s punk music scene, and acknowledges his debt to the Penguin Modern Classics series (Orwell, Huxley, Sartre). His introduction to philosophy is cast in social and economic terms, where the work of Lois Althusser, Michel Foucault and Jacques Derrida were inseparable from the demands of political activism. Critchley's interest in philosophy is also characterized by unexpected events, from traumatic physical injuries to the death of his father. Philosophy is valued as an everyday practice that we can all pursue, enabling reflections on the world and ourselves.
But the interviews provide an interesting counterpoint to the traditional self-help manual. Casting out the assumption that we are free and autonomous individuals, Critchley and Cedeström discuss human experience in terms of finitude and contingency. Finitude defines individuals according to a limit, whether it is death, or the limit of perception; while contingency acknowledges that we are culturally-constructed by social forces.
If there is a feel-good pep-talk element, it takes the form of acknowledging one's impotence and incapability, the contradictions and discrepancies that structure our identities, and our experience of the world. In a world where the self 'can never achieve mastery or authenticity', philosophy forms part of a continual process of emancipation from dominant social norms and values - a talking cure for existence that goes on as long as we do. For Critchley, philosophy accepts that we are 'ontologically defective', or, as Nietzsche puts it, Human, All Too Human...
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