The decision by an Israeli court to issue the order has raised hopes among Kafka scholars that the papers will cast new light on the life and work of the great Czech writer.
The court order marks the end of the first chapter in a battle for control of his literary legacy, whose absurd twists could have ended up in one of his angst-ridden works.
Kafka scholars hope that unseen original work by the author of The Trial, perhaps even an unfinished novel, might be buried among the papers that were for decades left to rot by the former secretary of Kafka's friend and executor, Max Brod.
For now only Eva Hoffe and her sister Ruth Wisler know what is in the treasure trove, which they have tranferred to bank deposit boxes. The elderly sisters inherited the archive from their mother, Mr Brod's secretary, Esther Hoffe. Her will is being contested by the National Library of Israel, which insists she had no right to pass the documents to her daughters.
A judge gave the sisters 15 days to reach a deal with the library or the vault would be opened without their consent and the papers catalogued.
The Kafkaesque wrangle over the contents of the safe deposit boxes - five held in Israel and one in Zurich - stems from an intrigue stretching back 80 years.
Kafka, who was born in Prague in 1883, was a little-known Jewish author when he died in 1924 from complications connected to tuberculosis. He had only a handful of published short stories to his name but left an array of unpublished writings, many of them unfinished.
In his will he famously ordered Mr Brod to gather up all his diaries, letters and manuscripts which "should be burned unread and without remnant".
Brod chose to ignore his friend's wishes and set about editing and publishing Kafka's work. He rescued the handwritten papers once again in 1939 when the Nazis invaded Czechoslovakia, stuffing them into suitcases bound for Tel Aviv, where Brod made his new home.
Without him such influential works as Metamorphosis, The Castle and Amerika would have been lost forever.
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