From the Woody Allen classic
From the film's Wikipedia entry :
Different cuts of the movie
There are two known cuts of Sleeper. The first, seemingly original cut, contains a dinner scene shortly after Miles (Allen) and Luna (Keaton) return to the house where Miles was originally taken after revival. In the dialogue-less scene, Miles eats in time with a piano soundtrack while Luna watches him in amazement. In another cut distributed in the US, this scene is absent but another, in which Miles shaves using a high-tech mirror and accidentally tunes into the view from the mirror in another bathroom, is present in its place. The latter cut is on the MGM 2000 DVD, which has both a widescreen and full-screen version of the film, a trailer, Spanish dubbing, and French subtitles.
The network television version cuts the scene in which Miles and Luna discover a 1990's newspaper with the headline "Pope's Wife Gives Birth to Twins".
From The Sleeper Revived by Laurel Petriello
Having experienced a short-lived fame revival, the house is perhaps best recalled as the setting of Woody Allen’s 1973 sci-fi cult classic, Sleeper. Beyond its pop culture celebrity, the Sculptured House became nothing more than a dilapidated haven for various wildlife, teenage boredom and vandalism.
The house lay dormant for over 30 years at the time of Charles Deaton’s death in December 1996. Additionally, the first incarnation of his vision, the original plaster mold of the house was accidentally knocked over and destroyed at his funeral service.
Cut to the scene where Prince Charming wakes the sleeping princess. John Huggins, a Colorado native and Internet software millionaire, was fascinated by the proverbial house on the hill since he was a child. In 1999, he purchased the Sculptured House for $1.3 million with the intent to restore and complete construction.
Working closely with Deaton’s daughter, Charlee, and her husband, architect Nick Antonopoulos, Deaton’s former protégé, Huggins succeeded in completing the home according to Deaton’s original plans. Huggins was faithful to Deaton’s design while adding modern creature comforts. The finished product included a 5000-square-foot addition originally drafted by Deaton, featuring a five-car underground garage, caretaker quarters, media room and massive patio, among others.
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