The violent clash is first and foremost a clash within the latent level of the enactment and the assignment of meaning to space and time. It is the clash between the objective structure (the dog) with its knowledge and practice-based assignments of meaning (the dog's tail), some assignments critiquing the conditions of objectification of these very structures “arming the tail with teeth so that it can bite the dog”.
Every social class tries to use or transform the space of the city for its own gain. In this way we see the inscribing, in an elliptic trajectory, of a tradition of the oppressed: some tradition that holds the barricade as its visible material expression. The barricade represents on a spatial level what already exists in the social: The rupture with the assignment of meaning to the city as a unit that is supposedly whole and equal. A rupture with a definition of society as a permanent union of equals. From the part of sovereignty, it is this very unity of space that guarantees its continuation in time. The verge-esque state of the barricade reveals the radical division of the urban space. This division seems no longer solid, functional, inescapable - and becomes the main component of unity instead. It becomes a (national) unity (an ideologically constructed identity) that is divided. The propositional rupture of the social fabric comes to confirm the theoretical observation of a process of social change. The theory and practice of the oppressed come together in a materially effective cosmology. It is this very practice that accelerates the rhythm of the flow of historical time and it is this theory that conceptualises this acceleration.
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