The synchromysticism research Jake Kotze publishes on his websites include information-dense videos, artwork and articles punctuated by images illustrating various mystic/pop culture linkages. His articles and videos usually focus on esoteric symbols or memes (possibly stemming from a collective unconscious mind) reoccurring throughout a wide range of sources, especially mass media. Such symbols include numbers, words, archetypes, shapes and various visual motifs or patterns such as portals and checkerboards. The total effect is a mind-blowing labyrinthine reality mash-up linked by a type of dream logic. Kotze described his approach towards synchronicities in an October 20, 2006 post on Brave New World Order:
"My idea about the significance of meaningful coincidences in movies with mystical connotation is not that it points towards real truths, but that they point towards possible realities that might emerge from the collective psyche into consensus reality. We vie and jostle for acceptable limits of consensus reality through our art and philosophy. Our ideas and concepts about reality are the very fabric of reality itself. We try to sell each other beliefs in a creative effort to allow new 'things' to emerge into the accepted matrix of the now. I don't fundamentally fret about what 'is' real; I care about checking the zeitgeists' temperature in order to project future possibilities of acceptable norms and find hidden pockets of knowledge embedded in the pattern of 'AUM'."
Recurring themes Kotze has been tracking include "stargate" symbols and imagery that was most powerfully expressed in the events of 9/11. He argues that in the language of esoteric symbolism the Twin Towers are analogous to Solomon's Temple, Mecca and the pyramids of Egypt – structures intended to be, in a sense, vortexes to higher dimensions. Kotze has linked imagery from an astounding amount and variety of pop culture sources, including cartoons, mainstream Hollywood films, cult classics, posters, websites and even videogames of the stargate concept.
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A relatively well-known example of proto-synchromystic writing is James Shelby Downard's essay on the Kennedy assassination, "King-Kill 33" (popularized by the Marilyn Manson song of the same name). In it, he collects a vast array of symbolic clues and associations that leads him to speculate that Kennedy's assassination was part of a Masonic ritual. Masonic aspects of synchromystic symbology have also been the subject of lectures and articles by Jordan Maxwell, Richard C. Hoagland and Jay Weidner. Kotze has made references to all of these writers and they likely influenced his thoughts on synchronicity. In his interview on "The Kentroversy Tapes" podcast, Jake specifically cites Robert Anton Wilson as one of his primary sources of synchromystic inspiration, which shouldn't be a surprise to anyone familiar with Wilson's writings. In much of his work, most notably Cosmic Trigger: The Final Secret of the Illuminati, Wilson wrote extensively on the subjects of synchronicity, conspiracy, psychedelics and magick.
Synchronistically, in Cosmic Trigger Wilson relates how shortly after he published Illuminatus in 1975, William Grimstad (a.k.a. Jim Brandon) corresponded with him to share channeled information from people allegedly contacted by extraterrestrial intelligences. The information corresponded in detail to esoteric topics Wilson and Timothy Leary had been confidentially discussing at the time. Later, Grimstad sent Wilson a tape called "Sirius Rising" that he and close friend and collaborator James Shelby Downard recorded that contained some of the same information featured in Downard's "King-Kill 33" essay. Wilson called the Grimstad-Downard theory "…the most absurd, the most incredible, the most ridiculous Illuminati theory of them all." But he added, "The only trouble is that, after the weird data we have already surveyed, the Grimstad-Downard theory may not sound totally unbelievable to us."
In the same book Wilson disclosed his distant link to Lee Harvey Oswald (Oswald's ex-wife lived with the sister of Wilson's family doctor). Wilson was also a friend of Kerry Thornley (co-founder of Discordianism, the only religion Wilson embraced) who befriended Oswald when they served together in the marines. Their mutual friend Greg Hill (a.k.a. Malaclypse the Younger, the other co-founder of Discordianism) had a girlfriend who served as district attorney Jim Garrison's secretary in the summer of 1963. She used his Xerox machine after-hours to print the earliest Discordian text, "Principia Discordia or How the West Was Lost". In the fall of 1966 Garrison began his investigation into the JFK assassination, later dramatized in the Oliver Stone film JFK (1991) which itself has been a subject of synchromystic analysis by Dean Grace.
The connection between Kerry Thornley, Lee Harvey Oswald and Jim Garrison was further documented by countercultural and Fortean historian Adam Gorightly in his book The Prankster and the Conspiracy. Though it was briefly mentioned in Cosmic Trigger, Gorightly's book covered in greater detail a falling out between Kerry Thornley and Robert Anton Wilson due to a disagreement in the interpretation of coincidences surrounding Kerry's connection to the JFK assassination and Kerry's increasing sense of paranoia. Kerry began to suspect the coincidences were an intentional manipulation possibly involving the CIA, Mafia and/or Naval Intelligence, and even went so far as to accuse close friends of being a part of a plot. Wilson remained agnostic on his views on the causes of those and other coincidences but entertained ideas ranging from subjective perception, the collective unconscious, parapsychology, quantum physics and a holographic universe. This open-ended view of synchronicity is more in alignment with the synchromystic view, while Kerry's approach (minus delusional paranoia) is closer to those of relatively conventional conspiracy researchers such as Alex Constantine, John Judge, Michael C. Ruppert, and Webster Griffin Tarpley.
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