" ... Hovering around the Three Goat Gods of the Universe was their Emissary, Christ, not to be confused with Jesus who was but one of Christ's many manifestations. The theology was constantly changing, and Christ became a coequal fourth deity. I never saw Processeans worship their gods, because the gods were inner realities rather than external deities. But much of the Processeans' day was devoted to service of "our Lords Christ, Jehovah, Lucifer, and Satan."
At various times The Process had communes in London, San Francisco, New Orleans, Paris, Munich, and Rome, but in 1970 they settled in the United States and Canada, first in Boston and Chicago, then in New Orleans again, as well as New York and Toronto. During three years of wandering, exoticism had served them well with the general public, and they fitted in well with the explosion of radical movements that marked the late 1960s. But as rooted urban residents they needed money, and the easiest source was begging on the streets as members of a formally incorporated church. The Satan image now hurt, rather than helped, and the stigma deepened when they were falsely accused of having trained Charles Manson in the Satanism that led him to order his followers on a murder spree (Lyons 1970; Sanders 1971; Bugliosi and Gentry 1974).
The Processeans responded by pulling in their horns. They changed their style of dress, adopting nondescript gray uniforms in complete contradiction to their doctrines but in pursuit of public acceptance, with tiny Satan goats on the lapels replacing the huge one on their chests. A period of general depression set in, as members were forced to realize that their grand hopes had achieved nothing more than a temporary high adventure. Robert had composed most of the group's radical scripture, and he remained committed to it, spinning ever more complex intellectual structures that seemed to others ever more removed from the reality that oppressed them. A rift developed between Robert and Mary Ann, and in 1974 he and a few others left to recreate the classical Process afresh, complete with all the Gods, while Mary Ann's much larger group turned to pure Jehovianism.
[ ... ]
Satan's lower aspect represented Sub-Humanity, gripped by lust, abandon, violence, excess, and indulgence. The higher aspect represented Super-Humanity, evaporating into detachment, mysticism, otherworldliness, magic, and asceticism. In terms of psychopathology, Jehovah and Lucifer were neurotic, the former being obsessive-compulsive, and the latter hysterical. Theirs was the "conflict of the mind."
While Satan relates to Christ through their coming Unity, he also stands in a definite relationship to Jehovah and Lucifer, representing a pair of escapes from conflict. The Game of the Gods explains that each individual is torn apart by this conflict. Jehovah demands self-discipline and dedication to duty. Lucifer, in contrast, urges self-indulgence, harmony, and peace, Satan's lower aspect is an intensification of Luciferianism, while the higher aspect is an intensification of Jehovianism.
The relationships between the Gods were reflected in relationships between people. Once Christ had been elevated to the status of coequal god, each person was believed to manifest one of four "god patterns" - not one for each god but one for each pair of gods who were not locked in conflict as were Christ and Satan, Lucifer and Jehovah. Thus, the four kinds of persons were the Jehovian-Christian, the Jehovian-Satanic, the Luciferian-Christian, and the Luciferian-Satanic, often simply identified by their initials: JC, JS, LC, and LS. Robert was an LC personality, and Mary Ann was its exact opposite, JS. Through the Union of Jehovah and Lucifer, and through the Unity of Christ and Satan, they could come together in harmony, combining their psychological assets rather than falling into violent disagreement. ... "
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