Menckenmania
A birthday party for the writer reveals his strange place in the world of letters.
"I never lecture, not because I am shy or a bad speaker, but simply because I detest the sort of people who go to lectures and don't want to meet them." – H.L. Mencken
This weekend, like they do every year around H.L. Mencken's September 12 birthday, about one hundred Mencken fans descend on Baltimore's Enoch Pratt Library to pay tribute to the man famous for his scathing attacks on religion, creationism, the middle class, politicians, countryfolk, and a host of other targets he blamed for the ruination of America.
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Once rolling, Hamilton discussed Mencken's influence on New York's cultural life as a critic and later as editor of The Smart Set. Unlike the hundreds of thousands that later fled Baltimore, Mencken never left his hometown. But through the magazine based in the more influential and culturally rich New York, he launched the careers of Fitzgerald and O'Neil, and helped Americans discover Conrad and Joyce. His writing developed an almost rabid following of fans that hung on his every word. Harold Ross named Mencken's Smart Set as a model for Ross' New Yorker; the latter, coincidentally, even moved into the offices of the former at 25 West 45th St. in Manhattan.
But Mencken's influence on New York is largely forgotten. That's okay — he likely wouldn't care less. Mencken was often out of place in New York, his short sleeves, hair part, and use of awkward words like "flapdoodle" setting him apart from the city's sophisticates.
What's instead more interesting is that he's also increasingly forgotten on the literary landscape. The 1967 Norton Anthology of American Literature, for example, contains excerpts from Mencken's Prejudices, the second and third series, as well as from The American Language. The newest Norton Anthology contains nothing by the writer.
So while The Sun Also Rises and As I Lay Dying remain on bookshelves, Mencken is relegated to the lede of middling columns in middling American newspapers by middling writers who want to take a stab at biting satire....
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